Published by The Linnet's Wings, 2014
All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, of transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form or binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. Visit www.thelinnetswings.org to read more about our publication. ISBN 978-0-9930493-2-3 |
We had seen God in His splendors, heard the text that Nature renders. We had reached the naked soul of man. Ernest Shackleton Art (Frontis) My Inner Colours by Maire Morrisey Cummins |
|
Whiskey and Cigarettes at the End by Ronald E. Shields captures the quiet reflection of an elderly couple in a cemetery. Surrounded by the decay of time, they savor small comforts like whiskey and cigarettes, contemplating life’s fading moments and the weight of letting go. |
The Moment by Ronald E. Shields captures Jesus’s act of forgiveness. From his wooden tower, he sees heaven’s beauty in every grain of sand, reflecting the miracles in everyday life and the order of creation. A profound meditation on divine grace and spiritual insight. |
Pegasus, a short story, by Maria Buck tells the haunting story of Vera, a woman trapped by loss and violence. Through the metaphor of her broken golden horse, she confronts trauma, survival, and the battle for her life. A powerful narrative of strength, identity, and redemption in the face of deep emotional scars. |
|
Skellig Michael by Mary Lee reflects on the physical and spiritual endurance of the monks who inhabited the remote Skellig Michael monastery. The poem contemplates the arduous task of carving thousands of steps from stone, the isolation imposed by the Atlantic's power, and the spiritual connection found in nature's persistence, as seen in the circling birds and steadfast rock. |
Penance by Maire Morrissey-Cummins portrays a womanFs internal struggle as she seeks forgiveness for her sins. Through vivid imagery of tense hands, bony knees, and the confessionalFs oppressive atmosphere, the poem captures her feelings of guilt, the ritual of confession, and the hollow aftermath of absolution. Despite feeling cleansed, she leaves with an unsettling sense of emptiness. |
Julie Hogg's poem Soul Skating explores the fluidity and grace of skating as a metaphor for personal freedom and self-expression. The use of dynamic language, including phrases like "minimal friction" and "sustained gliding," evokes the sensation of effortless movement, while the unique structure of the poem visually mimics the rhythm of skating itself. The speaker’s reflection on the "soul in a true layback spin" connects physical motion with emotional depth, capturing the joy of release and self-realization in the act of skating. The poem celebrates how motion can lift the spirit into a new dimension of experience. |
Naked Beauty by Kathleen Cassen Mickelson critiques a photographers portrayal of female nudes, challenging the claim that his work is "for women." The speaker, searching for bodies like hers-aged, experienced, and imperfect-finds none. The poem highlights the exclusion of real, lived female experiences in favor of idealized, unblemished bodies, calling for honesty in representing womens beauty. |